KOP isn’t just another indie music platform. It’s a counterweight to global exposure inequalities. We’re not asking permission to amplify culture — we’re measuring how that amplification works, who benefits, and who’s being left behind.

Exposure drives sales, engagement, and cultural reach — especially for emerging artists. But legacy legal and cultural systems influence how (and where) that exposure happens.

It’s got to change — or music will just become algorithms influencing humans influencing algorithms.
We can see where that has and is leading:
• AI music
• Played by AI outlets
• Telling humans what to like

We have an analysis of the world’s music ecosystem.
It’s not ready for presentation yet (so many variables to confirm) — but what it says is a little sad.